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Artists and Organizers Shape Doha's Street Art Through Shared Initiatives

Qatar Museums programs and festivals connect creators with public spaces to develop the city's mural network.

By Doha Culture Desk · Published July 19, 2026

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Artists and Organizers Shape Doha's Street Art Through Shared Initiatives
Photo by Natalya Rostun / Pexels

Qatar Museums' JEDARIART initiative, launched in November 2020, has activated over 100 public art installations across Doha. This effort draws artists into coordinated work on walls at Al Mamoura, Salwa Road tunnels and multiple metro stations, forming the core of a sustained local movement.

Programs Connect Creators With Neighbourhood Sites

The annual JEDARIART effort organizes artists around fixed locations that residents pass daily. Murals appear at Al Mansoura Metro Station and Qatar National Library Metro Station, alongside the Doha Festival City Interchange and Woqod Petrol Station. These placements turn routine routes into points of collective attention and discussion.

Festivals Bring Together Local and Visiting Artists

World Wide Walls: Doha, held at the MINA District (Old Doha Port) and Al Aziziyah, has run editions in 2023 and 2025. Each edition involves 10-14 international and local artists who work side by side on streets turned into open-air galleries. The format encourages direct exchange among participants while adding layers to existing neighbourhood walls.

Specific Murals Record Cultural and Civic Moments

eL Seed produced 52 calligraffiti pieces on Salwa Road tunnels that depict Qatari culture. Mubarak Al Malik has placed graffiti in abandoned buildings, and a South Asian Truck Art mural stands at Al Mansoura Metro Station from the 2022 JEDARIART Festival. Additional works include Lorenzo Quinn's 'The Force of Nature' and Martin Ron's 'Oryx Goes Forward' at Katara Cultural Village, POW!WOW! Festival murals at Al Sadd Metro Station, and the '100 Days of Blockade' piece at Fire Station.

Qatar Museums continues to add new sites to the network. The pattern of repeated activations at named locations shows how organizers and artists maintain a steady presence rather than isolated projects. Residents encounter these works during ordinary movement through the city, which keeps the conversation about public space active.

Further artist invitations are planned at additional transit and roadside points. The approach relies on consistent placement and collaboration to sustain the movement without requiring new large-scale events each season.

References Sourced but Not Limited to:

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